By now it’s come to this: you’ve baked six different kinds of bread; you’ve grown tired of your colleagues’ stabs at humor and their zany Zoom backgrounds; you’ve finally mastered your kids’ remote ...
An homage in three acts: Louise Lawler shares a postcard, Christopher Williams remembers Baldessari’s studio, and Stephen Prina sings one of the great Conceptualist’s paintings. Christopher Williams, ...
“The more you look, the more you see,” says Anne Umland, The Blanchette Hooker Rockefeller Senior Curator of Painting and Sculpture, of Remedios Varo’s painting The Juggler. The Juggler is this ...
The reunion of Pettibon’s own text—which is often missing or covered over on Black Flag materials—with his drawings reveals the enigmatic, haunting quality of his work, something far more compelling ...
Louise Lawler’s work looks at the lives of artworks in museums, private collections, gallery backrooms, storage spaces, and auction houses, examining how meaning changes with different types of ...
Elizabeth Catlett ’s terra cotta sculpture Mother and Child stands less than a foot off of its pedestal, but it feels much larger. It conveys an expansiveness that comes, to my mind, from the uncanny ...
In this interview from 2013, the artist discusses his work and the beginnings of the Beirut-based photography archive.
June 18, 1920 Fumaria officinalis (Common Fumitory) The Fumaria has a sensitive nature spirit, it tries to incorporate both ascending and descending energies. Its flower is wispy, seemingly without ...
Hear from artists, writers, and therapists about what happens when art and grief collide.
Just as historical time moves without linear progression, the narrative time of Salacia ebbs and flows so that the words with which Jones begins seem to touch her last utterances. Salacia opens with a ...
In March, Neri Oxman: Material Ecology opened at MoMA. The installation is organized around seven projects, each represented by several artifacts, prototypes, and videos displaying the process. Each ...
Susan Rothenberg has left an indelible mark on the art world and on MoMA’s collection. Her work has been admired by multiple generations of curators and supporters. As a result, the Museum’s holdings ...
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